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Hearst Magazines International’s newest title will be headed by former Vogue Hommes editor-in-chief Bruno Danto.
Next year, the Vogue publisher will release Vette, an online marketplace where creators can sell the products they tout in their content. But to stand out in the influencer marketing space, it’ll face plenty of competition.
US Vogue’s new head of editorial content Chloe Malle wants to revamp the title to more squarely serve a core audience of fashion-lovers.
Diana Pearl is Senior News and Features Editor at The Business of Fashion. She is based in New York and drives BoF’s marketing and media coverage.
Seven years after its relaunch, the cult British magazine is closing in its ‘current iteration.’ Longtime editor-in-chief Matthew Whitehouse exited the publication in January.
With the platform’s posts now shaping Google search and AI chatbot results, fashion brands need to listen to the site’s millions of users – even when they don’t like what they have to say.
Following the success of its first foray into episodic social media content, 'The Intern,' the publication is launching its second series called ‘The Boss’ with a famous face at the centre
The former i-D editor in chief has been named chief creative officer of the Wonderland publisher, and will launch a new magazine and creative agency with entrepreneur Peter Jones.
A Texas court ruled that the hair-care label’s bankruptcy filing be converted to Chapter 7.
As the French couture giant cruised into Biarritz this week, surging interest in its revamp under designer Matthieu Blazy scored it the top spot on the Lyst Index. But could Blazymania go too far?
Luxury fragrance house Amouage, together with The Business of Fashion, convened leading creatives for an evening of open dialogue on the evolution of the luxury industry — from visual symbol to deeper emotional connection.
After stepping back from his namesake brand, Dries Van Noten has opened a foundation in a Venetian palazzo dedicated to craft, beauty, and the things made by hand and soul. BoF's Tim Blanks speaks with the designer about why, in ugly times, making something beautiful is the only real form of protest.
